DEPARTMENT
OF TV-RADIO-FILM-THEATRE |
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FACULTYDr. David Kahn RESOURCESLibrary Articles and databases Theatre journals and publications more to follow. . .
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CLASS TIME AND LOCATION -- T/Th 1:30-2:45 pm; DMH 208 PREREQUISITES Students must meet the Advanced/SJSU Studies GE Requirements:
REQUIRED TEXTS
COURSE DESCRIPTION This advanced SJSU Studies GE course fulfills Area V, Culture, Civilization & Global Understanding. AREA V LEARNING OBJECTIVES:
This course explores contemporary theatre by critically examining selected plays and productions of the last fifty years, focusing on the following questions: How do these recent popular plays express the diversity and complexity of post-modern global society? How do different forms of contemporary theatre reflect cultural changes and changing perceptions of the human condition? How are various peoples and ideas represented in theatrical form? How has global theatre performance influenced and been influenced by American culture and society? We will study theatre performances and texts not only as historical documents of their time and mirrors of their worlds, but also as material for contemporary interpretation and production.Through class activities, lectures, reading, viewing performances, discussion, research and written responses, students in this class will learn systematic, analytical skills for assessing contemporary theatre practice (and other "narrative" performance media such as film, television, etc). These skills will also help students to more actively and more articulately position themselves in relation to surrounding media cultures. Finally, this course provides a method for understanding how the written script functions in relation to live theatre performance – bearing in mind that a play on paper is, as writer Tennessee Williams famously observed, "hardly more than an architect's blueprint for a house not yet built." In this course you will learn to read the blueprint. |
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Course Content Learning Outcomes
STUDENT RESPONSIBILITIES • CLASSROOM PROTOCOL
EVALUATION ITEMS
ASSIGNMENT DESCRIPTION
SCHEDULE (rev. 2/15/09) subject to change:
RESPONSE ESSAYS GUIDELINES Response essays (20 pts. each) provide the opportunity to apply a systematic method of "dramaturgical" analysis whereby play scripts can be better understood as representative artifacts of different cultures (LO 1). Assessment of the papers is based on your application of dramaturgical analysis to the selected play script. Assessment will also be based on writing style, form, and content (see specific writing criteria in the Writing Rubric). Instructor's comments on each paper and peer review provide ongoing feedback designed to assist improvement both in writing and analytical skills. At the beginning of each class session in which a text is scheduled for a Response Essay, students must submit a 500-word paper discussing that play text from one of the following perspectives:
Each paper must begin with a statement of the play's intention (that is, your interpretation of the "experience" this text produces when it is performed), and then proceed to a systematic analysis from the specific perspective you have chosen. Papers must be typed, double-spaced and include numbering on each page, written in academically correct English and in essay form. Quotations from a play or other published sources should be followed by an in-text citation listing author and page number(s) in parentheses. The following information must appear in the upper left hand corner: 1) your name; 2) TA/ENG 127; 3) date; 4) play title; 5) perspective (e.g.: "Character").
RESEARCH PAPER GUIDELINES Research Paper - Due Beginning of class May 12 Length: 8 typed pages (2000 words). The research paper (100 pts) provides an opportunity to research relevant background information and use that information to help articulate responses to one play from the contemporary theatre. Your paper is a forum for examining wider social realities that affect, and are affected by, the theatre. Your use of research information is to expand your ongoing analysis of how the play's specific dramatic intentions are achieved by the experience that a performance creates for its audience. Your approach is dictated by the following considerations: Your readers are your academic peers who are familiar with your chosen play and with the elements of contemporary theatre we've studied in class. In your paper, develop an interesting and supportable thesis, preferably based on a specific personal question you have in response to your play (e.g.: How does Angels in America respond to the American political climate of the early 1980s? or How are various ideas about the importance of cultural heritage expressed in Anna in the Tropics? or What different traditions of performance are employed in Urinetown?). Use your research to expand your knowledge about how theatre and society interact. Give reasons and evidence for your assertions. Point to specific elements in the script and in your research to support your arguments.
Paper Proposal - Due 3/19 Each student is responsible for turning in an individual Paper Proposal of 1-2 typed paragraphs. Elements of the Proposal should include:
Using the Library's databases, create a list of at least 10 bibliographic references. The references should be primarily scholarly in nature, and should look into some aspect of your chosen play/theme. They may offer theoretical, historical, or other background information. They may be books, chapters in books, or articles in an academic journal. These are often published by a university press or university-sponsored journal. Internet sources must be carefully evaluated for their scholarly validity. Follow a formal Bibliography format (MLA)
when listing your 10 sources, citing author, article or chapter title,
publication title, publisher, date of publication, page numbers.
From your 10 references choose one article or chapter from a book to write a brief Abstract--a 2 paragraph summary of the argument and methodology (or approach) and goal (or conclusion) of the article/chapter. Discuss how you plan to use the article/chapter in your research. Matters of Form:
No late or untyped papers will be accepted and missed assignments cannot be made up. Academic
Integrity: Your own commitment to learning, as evidenced
by your enrollment at San Jose State University, and the University's
Academic Integrity Policy requires you to be honest in all your academic
course work. Faculty members are required to report all infractions
to the Office of Student Conduct and Ethical Development. The policy
on academic integrity can be found at http://sa.sjsu.edu/student_conduct.
One form of academic dishonesty is plagiarism--taking ideas, writing,
or work from another person or source and representing them as one's
own. Plagiarism includes both having someone else
write your papers and cutting and pasting from the Internet.
For advice on how to avoid plagiarism, consult the following site:
http://owl.english.purdue.edu/handouts/research/r_plagiar.html Adding and Dropping: Students are responsible for understanding the policies and procedures about add/drops, academic renewal, etc. Information on add/drops are available at http://info.sjsu.edu/web-dbgen/narr/soc-fall/rec-324.html . Information about late drop is available at http://www.sjsu.edu/sac/advising/latedrops/policy/ . Students should be aware of the current deadlines and penalties for adding and dropping classes. |
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